Showing Records: 1 - 7 of 7
Arteriv / Tragtenberg, Livio R., editor ; DeCampos A ; Grunewald JL ; Braga E ; Junges T., 1980
The duplicate copy is missing the tape casette. -- Source of annotation: Marvin or Ruth Sackner.
Orientations: Space/Time/Image/Word / Cluver, Claus, editor ; Plesch, Veronique, editor ; Hoek, Leo, editor ; Boltanski C ; Kamensky V ; DeCampos A ; Pignatari D ; Xisto P ; deSouza EA., 2005
This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
pOes1e digitale dichtkunst / Vallias A ; DeCampos A ; Kostelanetz R ; Kac E., 1992
Portrait of Marvin Sackner / Kreloff, Marty; DeCampos A., 1991
This painting, based upon photographic images of Marvin Sackner, was given to him as a surprise during a party celebrating his retirement as Director of Medical Services, Mount Sinai Medical Center. In the background is a reproduction of a concrete poem by Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
Profilograma 1, 1982
Print depicts a profile of Mayakovsky (by Rochenko) within a profile of Pound (by Gaudier-Breszka). -- Source of annotation: Marvin or Ruth Sackner.
Tramas de Penelope / Penelope's Mesh / Vater, Regina; Sackner MA; Sackner RK; DeCampos A; Oiticica H., 2010
The 70 drawings contained in this publication designed and printed by the artist herself were selected from more than 600 drawings and notes. These drawings are preserved as a digitized collection on three CDs in important cultural archives... they are drawings notes for installations and sculptures, Some have been realized while others in an embryoinic state. They are notations that reflect the experimental and avant-garde character of the artist's work, as well as her choice of motifs and materials. They represent over three decades of the artist's thinking process related to space and volume. The works consist of drawings, projects, installations and sculptures from 1969 to 2004. Vater's work is listed as contained in "The Archives of Visual Poetry of Ruth and Marvin Sackner of Miami Beach, Florida - which is the biggest and most important collection of Visual Poetry in America." -- Source of annotation: Marvin or Ruth Sackner.